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click on images |
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2007 |
Eden Project, Cornwall, England
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Burning Fat.
A temporary installation within the compounds of Eden Project. Five salvaged bicycles were converted into light emitting exorcise machines. The bikes are fitted with dynamos and voltage transformers. A social comment on the possible relationships between the obsession with our health and that of the environments.
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2006 |
Farmer Copleys farm, Purston, West Yorkshire |
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Creatures Inherit The Party.
Imagery of death and rebirth take the form of rising spirits, A rising parade. Feral creatures, victims of urban sprawl, reclaim their natural habitat preserved in farmland pockets.
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2006 |
The National Glass Centre, Sunderland, England. |
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20th century forms, attributed with generating electricity are purposefully drawn upon as a
light hearted response to the present energy debate, and the three aging fossil fuelled power stations in Yorkshire that recently made headline news |
2006 |
Yorko Gallery,
Harrogate, England. |
| Bird Factory 1,2 & 3.
Exhibition of three large clear glass sculptures with stopper components.
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2006 |
British Glass Biennale,
Stourbridge, England. |
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Mini Power Station 1,2 & 3.
Exhibition of
three wall mounted neon sculptures.
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2005 |
Carlton Hill, Edinburgh,
Scotland. |
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Running light to the source.
Performance involving a group of people running down a hill with battery powered, single electrode neon tubes. |
2005 |
Glen Moy, Kirrimuir,
Angus, Scotland. |
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Green Rings. Neon installation.
An outdoor circuit of green neon rings, hugged the base of certain trees to encourage an enchanting pathway. |
2005 |
Urban Glass
647 Fulton St,
Brooklyn, NY, USA. |
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Studied advanced sculpting neon techniques under teacher Matt Dilling. |
2004 |
The NGC car park
Sunderland, England. |
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Out of Context. Performance.
Hot glass was transferred from its industrial setting, exposed and stretched outdoors, then lowered in settled snow to form a curtain of steam. |
2004 – Ongoing |
Roker Flats
Sunderland, England. |
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The City Speaks. Site specific neon work at the top of two Sunderland high rise flats, concerned with language and communication. |
2003 |
The National Glass Centre, Sunderland, England. |
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The Rise And Rise Of Natures Parade. Performance involving local seaweed sewn to a cloak adorned with glass trumpets and worn with discomfort around the factory. |
2003 |
Vetro Maghie
Via U.Pedroli
190 Testa Di Lepre, Italy.
Tel: 0039 066687166 |
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Demonstrations given, on sculpturing birds using hot glass. |
2003 |
‘The Crystal World'
Edinburgh College of Art
Edinburgh, Scotland. |
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Natural'. Site specific neon work in courtyard. |
2002 |
Carringtons Farm
West Yorkshire,
England. |
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‘Swallow Electric'. Commission of a large glass panel. |
2001 |
2001 Edinburgh College of Art,
Edinburgh, Scotland. |
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The Energy Pod Performance. Documenting the movements which inspire and
create the actual work. |
2001 |
Pilchuck Glass School
430 Yale Avenue N,
Seattle, WA 98109, USA. |
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Awarded scholarship to study in Anthony Corredetti's class. |
2001 |
2001 Edinburgh College Of Art, Edinburgh, Scotland. |
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The Energy Pods. Blown forms and Neon depicting the contrast between mechanised and Organic motion when observing urban life. |
2001 |
Royal Scottish Academy
at The City Art Centre
2 Market St., Edinburgh. |
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Dynamo 1 and 2. Blown and assembled forms. |
2001 |
Alfred University
at The Harder Hall Building
Alfred, NY, USA. |
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Specimens from Mars. Small blown forms and neon installation. |
2000 |
Visual Arts Scotland
at The RSA Building
Prince's St., Edinburgh. |
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Traffic 1, 2 and 3. Blown tubing wrapped around forms. |
